{"id":158,"date":"2024-01-02T21:37:25","date_gmt":"2024-01-02T21:37:25","guid":{"rendered":"https:\/\/itziarbilbaourrutia.co.uk\/?page_id=158"},"modified":"2024-02-22T17:01:20","modified_gmt":"2024-02-22T17:01:20","slug":"video","status":"publish","type":"page","link":"https:\/\/itziarbilbaourrutia.co.uk\/index.php\/video\/","title":{"rendered":"VIDEO"},"content":{"rendered":"<div id=\"cs-content\" class=\"cs-content\"><div class=\"x-section e158-e1 m4e-0\"><div class=\"x-row x-container max width e158-e2 m4e-1 m4e-2 m4e-3\"><div class=\"x-row-inner\"><div class=\"x-col e158-e3 m4e-r\"><a class=\"x-image e158-e4 m4e-s\" href=\"https:\/\/itziarbilbaourrutia.co.uk\/index.php\/bondage-as-theme-and-technique\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/itziarbilbaourrutia.co.uk\/wp-content\/uploads\/2024\/02\/BATT-still-corected-scaled.jpg\" width=\"1280\" height=\"718\" alt=\"itziar urrutia stewart home\" loading=\"lazy\"><\/a><\/div><div class=\"x-col e158-e5 m4e-r\"><a class=\"x-image e158-e6 m4e-s\" href=\"https:\/\/itziarbilbaourrutia.co.uk\/index.php\/bondage-as-theme-and-technique\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/itziarbilbaourrutia.co.uk\/wp-content\/uploads\/2024\/02\/Stewart-Itzi-17-corrected.jpg\" width=\"500\" height=\"281\" alt=\"itziar urrutia stewart home\" loading=\"lazy\"><\/a><\/div><\/div><\/div><div class=\"x-row x-container max width e158-e7 m4e-1 m4e-2 m4e-4\"><div class=\"x-row-inner\"><div class=\"x-col e158-e8 m4e-r\"><div class=\"x-text x-content e158-e9 m4e-t m4e-u\"><h6 style=\"text-align: right;\">Bondage As Theme And Technique (2019) - 31' 21\".<\/h6><\/div><div class=\"x-text x-content e158-e10 m4e-t m4e-u\"><p style=\"text-align: left;\">Created in collaboration with Stewart Home. Under the guise of a femdom shibari suspension session, this short film meditates on the nature of sex beyond Linda William's \"moneyshot\", and the role of femdom fetish as a challenge to current legislation and the censorship of non-heteronormative forms of female desire. Please click on the images to view a clip.<\/p><\/div><\/div><\/div><\/div><div class=\"x-row x-container max width e158-e11 m4e-1 m4e-2 m4e-5\"><div class=\"x-row-inner\"><div class=\"x-col e158-e12 m4e-r\"><hr class=\"x-line e158-e13 m4e-x\"><\/hr><hr class=\"x-line e158-e14 m4e-x\"><\/hr><\/div><\/div><\/div><div class=\"x-row x-container max width e158-e15 m4e-1 m4e-2 m4e-6\"><div class=\"x-row-inner\"><div class=\"x-col e158-e16 m4e-r\"><a class=\"x-image e158-e17 m4e-s\" href=\"https:\/\/itziarbilbaourrutia.co.uk\/index.php\/fully-serviced-unicorn-dumpster\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/itziarbilbaourrutia.co.uk\/wp-content\/uploads\/2024\/02\/AndyIavor-Unicorn-1-SM.jpg\" width=\"500\" height=\"281\" alt=\"Itziar Urrutia Stewart Home\" loading=\"lazy\"><\/a><\/div><div class=\"x-col e158-e18 m4e-r\"><a class=\"x-image e158-e19 m4e-s\" href=\"https:\/\/itziarbilbaourrutia.co.uk\/index.php\/fully-serviced-unicorn-dumpster\/\"><img decoding=\"async\" src=\"https:\/\/itziarbilbaourrutia.co.uk\/wp-content\/uploads\/2024\/02\/StewartErnesto-Garden-Fight-2-SM.jpg\" width=\"500\" height=\"280\" alt=\"Image\" loading=\"lazy\"><\/a><\/div><\/div><\/div><div class=\"x-row x-container max width e158-e20 m4e-1 m4e-2 m4e-7\"><div class=\"x-row-inner\"><div class=\"x-col e158-e21 m4e-r\"><div class=\"x-text x-content e158-e22 m4e-t m4e-u\"><h6 style=\"text-align: right;\">FULLY SERVICED CUM DUMSPTER (2019) - 13' 15\".<\/h6><\/div><\/div><\/div><\/div><div class=\"x-row x-container max width e158-e23 m4e-1 m4e-2 m4e-8\"><div class=\"x-row-inner\"><div class=\"x-col e158-e24 m4e-r\"><div class=\"x-text x-content e158-e25 m4e-t m4e-u\"><p style=\"text-align: left;\">Part of a film anthology composed of four short films directed by four different artists, that explore the figure and myth of the unicorn. In FSCD, Itziar\u00a0 reimagines the story of the lady Of The Unicorn by reimagining the fictional creature's rutting season behaviour. The result is a critique of masculinity in straight culture. Please click on the images to view a clip.<\/p><\/div><\/div><\/div><\/div><div class=\"x-row x-container max width e158-e26 m4e-1 m4e-2 m4e-9\"><div class=\"x-row-inner\"><div class=\"x-col e158-e27 m4e-r\"><hr class=\"x-line e158-e28 m4e-x\"><\/hr><hr class=\"x-line e158-e29 m4e-x\"><\/hr><\/div><\/div><\/div><div class=\"x-row x-container max width e158-e30 m4e-1 m4e-2 m4e-a\"><div class=\"x-row-inner\"><div class=\"x-col e158-e31 m4e-r\"><div class=\"x-row e158-e32 m4e-1 m4e-2 m4e-b\"><div class=\"x-row-inner\"><div class=\"x-col e158-e33 m4e-r\"><a class=\"x-image e158-e34 m4e-s\" href=\"https:\/\/itziarbilbaourrutia.co.uk\/index.php\/porn-the-theory-fantasy-the-practice\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/itziarbilbaourrutia.co.uk\/wp-content\/uploads\/2024\/01\/Porn-the-theory-09.jpg\" width=\"579\" height=\"325\" alt=\"Itziar Urrutia artist video\" loading=\"lazy\"><\/a><\/div><div class=\"x-col e158-e35 m4e-r\"><a class=\"x-image e158-e36 m4e-s\" href=\"https:\/\/itziarbilbaourrutia.co.uk\/index.php\/porn-the-theory-fantasy-the-practice\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/itziarbilbaourrutia.co.uk\/wp-content\/uploads\/2024\/02\/Porn-the-theory-05.jpg\" width=\"579\" height=\"326\" alt=\"Image\" loading=\"lazy\"><\/a><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"x-row x-container max width e158-e37 m4e-1 m4e-2 m4e-c\"><div class=\"x-row-inner\"><div class=\"x-col e158-e38 m4e-r\"><div class=\"x-text x-content e158-e39 m4e-t m4e-u\"><h6 style=\"text-align: right;\">PORN THE THEORY - FANTASY THE PRACTICE (2019) -\u00a0 05' 02\".<\/h6><\/div><\/div><div class=\"x-col e158-e40 m4e-r\"><div class=\"x-text x-content e158-e41 m4e-t m4e-u\"><p style=\"text-align: left;\">Based on a script by Stewart Home and the two artists' first collaboration. The artists reimagine the famous butter scene from Last Tango In Paris, swapping the genders of the protagonists. As Itziar plays Bertolucci\/Brando and Stewart plays Maria, they explore the the auteur, as a revered figure that is given a pass, from slow boring films to sexual assault, in the name of high art.<\/p><\/div><\/div><\/div><\/div><div class=\"x-row x-container max width e158-e42 m4e-1 m4e-2 m4e-d\"><div class=\"x-row-inner\"><div class=\"x-col e158-e43 m4e-r\"><hr class=\"x-line e158-e44 m4e-x\"><\/hr><hr class=\"x-line e158-e45 m4e-x\"><\/hr><\/div><\/div><\/div><div class=\"x-row x-container max width e158-e46 m4e-1 m4e-2 m4e-e\"><div class=\"x-row-inner\"><div class=\"x-col e158-e47 m4e-r\"><a class=\"x-image e158-e48 m4e-s\" href=\"https:\/\/itziarbilbaourrutia.co.uk\/index.php\/gin-broth-rhubarb-rhubarb-gin\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/itziarbilbaourrutia.co.uk\/wp-content\/uploads\/2024\/02\/GBRRG-13-sm.png\" width=\"450\" height=\"253\" alt=\"itziar urrutia video art\" loading=\"lazy\"><\/a><\/div><div class=\"x-col e158-e49 m4e-r\"><a class=\"x-image e158-e50 m4e-s\" href=\"https:\/\/itziarbilbaourrutia.co.uk\/index.php\/gin-broth-rhubarb-rhubarb-gin\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/itziarbilbaourrutia.co.uk\/wp-content\/uploads\/2024\/02\/GBRRG-2-sm.png\" width=\"450\" height=\"253\" alt=\"Image\" loading=\"lazy\"><\/a><\/div><\/div><\/div><div class=\"x-row x-container max width e158-e51 m4e-1 m4e-2 m4e-f\"><div class=\"x-row-inner\"><div class=\"x-col e158-e52 m4e-r\"><div class=\"x-text x-content e158-e53 m4e-t m4e-v\"><h6 style=\"text-align: right;\">GIN BROTH RHUBARB RHUBARB\u00a0 GIN (INCANTATION) (2018).<\/h6><\/div><\/div><\/div><\/div><div class=\"x-row x-container max width e158-e54 m4e-1 m4e-2 m4e-g\"><div class=\"x-row-inner\"><div class=\"x-col e158-e55 m4e-r\"><div class=\"x-text x-content e158-e56 m4e-t m4e-u\"><p style=\"text-align: left;\">Filmed in Hastings, East Sussex, the dying place of notorious occultist Alistair Crowley. When shown along She Blesses The Land, its British folk horror atmosphere explores the artist's divided cultural identities, between the golden gods of Southern Europe, and the moody mists of the British Isles. Please click on the images to view a clip.<\/p><\/div><\/div><\/div><\/div><div class=\"x-row x-container max width e158-e57 m4e-1 m4e-2 m4e-h\"><div class=\"x-row-inner\"><div class=\"x-col e158-e58 m4e-r\"><hr class=\"x-line e158-e59 m4e-x\"><\/hr><hr class=\"x-line e158-e60 m4e-x\"><\/hr><\/div><\/div><\/div><div class=\"x-row x-container max width e158-e61 m4e-1 m4e-2 m4e-i\"><div class=\"x-row-inner\"><div class=\"x-col e158-e62 m4e-r\"><a class=\"x-image e158-e63 m4e-s\" href=\"https:\/\/itziarbilbaourrutia.co.uk\/index.php\/she-blesses-the-land\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/itziarbilbaourrutia.co.uk\/wp-content\/uploads\/2024\/02\/SBTL-15-sm.png\" width=\"450\" height=\"333\" alt=\"Image\" loading=\"lazy\"><\/a><\/div><div class=\"x-col e158-e64 m4e-r\"><a class=\"x-image e158-e65 m4e-s\" href=\"https:\/\/itziarbilbaourrutia.co.uk\/index.php\/she-blesses-the-land\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/itziarbilbaourrutia.co.uk\/wp-content\/uploads\/2024\/02\/SBTL-1sm.png\" width=\"450\" height=\"327\" alt=\"itziar urrutia video art\" loading=\"lazy\"><\/a><\/div><\/div><\/div><div class=\"x-row x-container max width e158-e66 m4e-1 m4e-2 m4e-j\"><div class=\"x-row-inner\"><div class=\"x-col e158-e67 m4e-r\"><div class=\"x-text x-content e158-e68 m4e-t m4e-w\"><h6 style=\"text-align: right;\">SHE BLESSES THE LAND (CLEANSING RITUAL) (2017) - 05' 21\".<\/h6><\/div><\/div><\/div><\/div><div class=\"x-row x-container max width e158-e69 m4e-1 m4e-2 m4e-k\"><div class=\"x-row-inner\"><div class=\"x-col e158-e70 m4e-r\"><div class=\"x-text x-content e158-e71 m4e-t m4e-u\"><p style=\"text-align: left;\">Filmed near Dej\u00e0 in Mallorca, this short film is an homage to the artist's early obsession with the hallucinogenic mytho-poetry of The White Goddess. Shown along Gin Broth Rhubarb Rhubarb Gin, it follows Robert Graves' attempt at syncretic religion by creating two sides of the same coin - with a dose of Femdom, a quasi-religion for many. Please click on the images to view a clip.<\/p><\/div><\/div><\/div><\/div><div class=\"x-row x-container max width e158-e72 m4e-1 m4e-2 m4e-l\"><div class=\"x-row-inner\"><div class=\"x-col e158-e73 m4e-r\"><hr class=\"x-line e158-e74 m4e-x\"><\/hr><hr class=\"x-line e158-e75 m4e-x\"><\/hr><\/div><\/div><\/div><div class=\"x-row x-container max width e158-e76 m4e-1 m4e-2 m4e-m\"><div class=\"x-row-inner\"><div class=\"x-col e158-e77 m4e-r\"><a class=\"x-image e158-e78 m4e-s\" href=\"https:\/\/itziarbilbaourrutia.co.uk\/index.php\/mr-stockholm-kidnapping\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/itziarbilbaourrutia.co.uk\/wp-content\/uploads\/2024\/02\/MR-STOCKHOLM-STILL-09.png\" width=\"1430\" height=\"810\" alt=\"Image\" loading=\"lazy\"><\/a><\/div><div class=\"x-col e158-e79 m4e-r\"><a class=\"x-image e158-e80 m4e-s\" href=\"https:\/\/itziarbilbaourrutia.co.uk\/index.php\/mr-stockholm-kidnapping\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/itziarbilbaourrutia.co.uk\/wp-content\/uploads\/2024\/02\/MR-STOCKHOLM-STILL-04-1.png\" width=\"1434\" height=\"806\" alt=\"Image\" loading=\"lazy\"><\/a><\/div><\/div><\/div><div class=\"x-row x-container max width e158-e81 m4e-1 m4e-2 m4e-n\"><div class=\"x-row-inner\"><div class=\"x-col e158-e82 m4e-r\"><div class=\"x-text x-content e158-e83 m4e-t m4e-v\"><h6 style=\"text-align: right;\">MR STOCKHOLM - KIDNAPPING! (2024) - 4' 46\"<\/h6><\/div><\/div><div class=\"x-col e158-e84 m4e-r\"><div class=\"x-text x-content e158-e85 m4e-t m4e-v\"><p style=\"text-align: left;\"><span>This short film that uses original footage from Ms Tytania\u2019s Femdom Kidnappings. The video is the recording of a real, consensual kidnapping orchestrated as a BDSM session. <\/span><span>Mr Stockholm - KIDNAPPING! delves into Itziar\u2019s twenty years of experience as a pro-Domme, by using documentation from her own femdom archives and email correspondence. Please click on the images to view a clip.<\/span><\/p><\/div><hr class=\"x-line e158-e86 m4e-x\"><\/hr><hr class=\"x-line e158-e87 m4e-x\"><\/hr><\/div><\/div><\/div><div class=\"x-row x-container max width e158-e88 m4e-1 m4e-2 m4e-o\"><div class=\"x-row-inner\"><div class=\"x-col e158-e89 m4e-r\"><a class=\"x-image e158-e90 m4e-s\" href=\"https:\/\/itziarbilbaourrutia.co.uk\/index.php\/melusina-torn-tights-action\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/itziarbilbaourrutia.co.uk\/wp-content\/uploads\/2024\/01\/melusina-torn-skin-1.jpg\" width=\"475\" height=\"356\" alt=\"ITZIAR BULBAO URRUTIA PHOTO\" loading=\"lazy\"><\/a><\/div><div class=\"x-col e158-e91 m4e-r\"><a class=\"x-image e158-e92 m4e-s\" href=\"https:\/\/itziarbilbaourrutia.co.uk\/index.php\/melusina-torn-tights-action\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/itziarbilbaourrutia.co.uk\/wp-content\/uploads\/2024\/01\/P1030470-scaled.jpg\" width=\"1280\" height=\"960\" alt=\"ITZIAR BILBAO URRUTIA PERFORMANCE\" loading=\"lazy\"><\/a><\/div><\/div><\/div><div class=\"x-row x-container max width e158-e93 m4e-1 m4e-2 m4e-p\"><div class=\"x-row-inner\"><div class=\"x-col e158-e94 m4e-r\"><div class=\"x-text x-content e158-e95 m4e-t m4e-v\"><h6 style=\"text-align: right;\">MELUSINA: TORN TIGHTS ACTION (2015) - 11'10\"<\/h6><\/div><\/div><\/div><\/div><div class=\"x-row x-container max width e158-e96 m4e-1 m4e-2 m4e-q\"><div class=\"x-row-inner\"><div class=\"x-col e158-e97 m4e-r\"><div class=\"x-text x-content e158-e98 m4e-t m4e-v\"><p style=\"text-align: left;\">Me lusina is the tale of the French Noblewoman who on Saturdays, undertook the trnsformation of her lower body into the body of a snake. An exercise in embracing the Monstrous Feminine and the joys of having a room of one's own. A video performance where the artist assumes her snake identity, with a ritual of tearing and discarding her old skin. Please click on the images to view a clip.<\/p><\/div><\/div><\/div><\/div><\/div><hr class=\"x-line e158-e99 m4e-x\"><\/hr><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Bondage As Theme And Technique (2019) &#8211; 31&#8242; 21&#8243;.Created in collaboration with Stewart Home. Under the guise of a femdom shibari suspension session, this short film meditates on the nature of sex beyond Linda William&#8217;s &#8220;moneyshot&#8221;, and the role of femdom fetish as a challenge to current legislation and the censorship of non-heteronormative forms of female desire. Please click on &#8230; <\/p>\n<div><a href=\"https:\/\/itziarbilbaourrutia.co.uk\/index.php\/video\/\" class=\"more-link\">Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-158","page","type-page","status-publish","hentry","no-post-thumbnail"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>VIDEO - Itziar Bilbao Urrutia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/itziarbilbaourrutia.co.uk\/index.php\/video\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"VIDEO - Itziar Bilbao Urrutia\" \/>\n<meta property=\"og:description\" content=\"Bondage As Theme And Technique (2019) - 31&#039; 21&quot;.Created in collaboration with Stewart Home. Under the guise of a femdom shibari suspension session, this short film meditates on the nature of sex beyond Linda William&#039;s &quot;moneyshot&quot;, and the role of femdom fetish as a challenge to current legislation and the censorship of non-heteronormative forms of female desire. Please click on ... 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Under the guise of a femdom shibari suspension session, this short film meditates on the nature of sex beyond Linda William's \"moneyshot\", and the role of femdom fetish as a challenge to current legislation and the censorship of non-heteronormative forms of female desire. Please click on ... 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